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Welcome to MARL @ NYU

About MARL @ NYU

Music and Audio Research Laboratory

 

MARL groups scholars from music theory, technology and composition, computer and information science, interactive media and media studies, to explore the intersection between music, computation and science. The objective is to combine techniques and methodologies from the arts, the humanities and the sciences to (a) understand and model human cognitive abilities in music, and (b) innovate the analysis, organization and creation of music.

The initiative aims to provide a forum that increases the visibility and contextualizes the work of NYU faculty, post-doctoral researchers, and doctoral, master and undergraduate students, interested in the intersection of music and science. By providing a space for discovery and discussion, MARL seeks to spark collaborations across departments and schools that have the potential to evolve into inter-disciplinary research, co-supervised student work, joint publications, grant writing, curricular development, event organization and artistic output.

Groups

MARL activities are organized into six areas that seem to most naturally group the common interests of its members: music theory, computer music and interactive systems, music informatics, recording and production, immersive audio and music cognition.

Computer Music/Interactive Systems

The Computer Music/Interactive Systems group is concerned with technologies that enable and enhance live musical performances that include both human and computer performers.

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Recording and Production

The Recording and Production group is interested in the techniques and technologies that impact the recording, mixing, production and mastering of music.

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Music Cognition

The MARL Music Cognition group focuses on modeling the complex mental processes involved in the perception and production of music.

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Music Theory

The Music Theory group focuses on promoting the goals of music theory within MARL's interdisciplinary research environment.

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Music Informatics

The Music Informatics group is concerned with research aimed at extending the understanding and usefulness of digital music data, through the research, development and application of computational approaches and tools.

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Immersive Audio

The focus of the Immersive Audio group lies in the capture, analysis, synthesis and reproduction of auditory environments.

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